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Petition: SPK, Berlin, Reconsider the plan to empty the Gemäldegalerie of Old Masters

In magaz­zi­no a tem­po inde­ter­mi­na­to gli “Old Masters” del­la Gemäl­de­ga­le­rie di Ber­li­no. Segna­lia­mo la peti­zio­ne con­tro lo spo­sta­men­to (con infor­ma­zio­ni a cura di Jef­frey Ham­bur­ger, Kuno Franc­ke Pro­fes­sor of Ger­man Art & Cul­tu­re, Har­vard Uni­ver­si­ty):

Peti­tion: Stif­tung Pre­us­si­scher Kul­tur­be­si­tz, Ber­lin: Recon­si­der the plan to emp­ty the Gemäl­de­ga­le­rie of Old Masters | Change.org


Collegamenti

Cite this article as: Redazione, Petition: SPK, Berlin, Reconsider the plan to empty the Gemäldegalerie of Old Masters, in "STORIEDELLARTE.com", 3 luglio 2012; accessed 30 marzo 2017.
http://storiedellarte.com/2012/07/petition-spk-berlin-reconsider-the-plan-to-empty-the-gemaldegalerie-of-old-masters.html.

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One Response to Petition: SPK, Berlin, Reconsider the plan to empty the Gemäldegalerie of Old Masters

  1. Daniele Pitrolo 5 luglio 2012 at 08:38 #

    Un tra­slo­co per acqui­si­re la col­le­zio­ne Pie­tzsch:

    It prin­ci­pal­ly con­sists of Sur­rea­li­st works from Paris and Abstract Expres­sio­ni­st works by the New York School, encom­pas­sing pain­tings by Max Ern­st, René Magrit­te, Joan Miró, Sal­va­dor Dalí, Paul Del­vaux and Jack­son Pol­lock, Ad Rei­n­hardt, Mark Roth­ko, Robert Mother­well and Bar­nett New­mann, as well as Fri­da Kahlo and Die­go Rive­ra. The dona­tion com­pri­ses some 150 pain­tings, dra­wings and sculp­tu­res, with an esti­ma­ted value of €120 mil­lion.
    The agree­ment will only come into effect under the con­di­tion that Ber­lin city coun­cil pla­ces the col­lec­tion, in its enti­re­ty, in the hands of the Foun­da­tion of Prus­sian Cul­tu­ral Heri­ta­ge as a per­ma­nent loan, and that the Foun­da­tion gua­ran­tees that parts of the col­lec­tion are pla­ced on per­ma­nent display within its own col­lec­tion of modern art.

    In effet­ti (se ricor­do bene) la Gemäl­de­ga­le­rie non copre il ven­te­si­mo seco­lo, ed accon­ten­ta­re il Land di Ber­li­no per acqui­si­re la col­le­zio­ne può ser­vi­re a col­ma­re que­sta lacu­na. Che però a cau­sa del nuo­vo arri­va­to il vec­chio occu­pan­te si tro­vi sen­za posto, è sur­rea­le, e ricor­da quan­to dice­va Sere­na par­lan­do dei musei in cri­si d’identità.

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